The Gallery

Rooms, not rows.

Each collection is hung the way I would walk you through the studio: by the light it was painted in, not the date it was finished.

A sloop with loosened white sails rides at anchor on brilliant cerulean water, a small red dinghy tied alongside, under gray clouds breaking into pink light

4 paintings

Clear Water

Paintings made where the water goes turquoise and the light comes up from below: anchorages, reef shallows, and one stubborn fish. The blues in this room are the reason I carry too many tubes of paint.

A woman in a deep teal skirt and red kerchief stands on a rocky shore with a basket, her white apron blown sideways, while dories work the surf under a storm-dark sky

4 paintings

The Working Shore

Harbors at low tide, boats leaning on their hulls, errands run barefoot across wet sand. These were painted fast, standing up, in the middle of other people's workdays.

A wheat field in full harvest gold leans in the wind below weathered brown windbreak fences, under a sky of moving mauve-gray clouds

3 paintings

The Quiet Land

Inland paintings: field gold, garden shade, animals dozing on their feet. Slower work for slower places, where the weather gives you a whole afternoon instead of twenty minutes.